Showing posts with label preservation. Show all posts
Showing posts with label preservation. Show all posts

Tuesday, January 26, 2010

Winter Garden

Here in New York, winter is in full bloom. Over the past few weeks we've experienced snow, freezing rain and winds that seemed likely to lift our historic building all the way to Kansas! This coming Sunday, January 31st from 1-5 PM, join us as we wish away the winter blues with our first-ever Tu B'shvat Winter Garden Festival, a free event celebrating the Jewish Arbor Day and environmentalism.

You may be asking yourself: what in the world is Tu B'shvat? We admit, it is certainly one of the more obscure Jewish holidays, but its focus on celebrating the bounty of the earth and conservation seemed a natural fit with our building's green restoration. And there is never a bad reason for a free festival! We see this as the winter counterpart to our fabulous Egg Rolls and Egg Creams Festival, which we host every June in celebration of the Jewish and Chinese cultures that share Eldridge Street.

The name Tu B'shvat is actually the date of the holiday, the 15th of the month of S'hvat. The holiday is first mentioned in the Mishna, where the ancient rabbis have a little throwdown over the date. They discuss the four "New Years" in the Jewish calendar (I wonder what they used for the ball drop in ancient Babylon?):
The first of Nisan - new year for kings and festivals - The first of Elul - new year for animal tithes. Rabbi Elazar and Rabbi Shimon say: the first of Tishrei. - The first of Tishrei- new year for calculation of the calendar, sabbatical years and jubilees, for planting and sowing - The first of Shevat - new year for trees, according to the school of Shamai; The school of Hillel say: the fifteenth of Shevat (Rosh Hashana:2a)
Our buddy Hillel seems to have won this argument, since the New Year for Trees has been celebrated on the 15th of S'hvat ever since. At Eldridge, we'll be green-ing out with kosher organic wine tasting from Tishbi winery, a seder featuring many varieties of dried fruits and nuts (led by me), kid-friendly planting activities, family tree making and more! Check out the event on our Facebook page for more information (and become a fan while you're there!) For a taste of spring in the dead of winter, this is one event you won't want to miss.

                                                                                                                                                                            Image via Ironic Sans


Tuesday, January 19, 2010

Talk of the Town


We're the talk of the town! In the latest edition of the New Yorker, author and architectural critic Paul Goldberger writes about the Museum's exciting new project, the fabrication and installation of a new East Window in our historic space. Entitled "She Does Windows", Goldberger's article includes tidbits from artist Kiki Smith, Museum at Eldridge Street Deputy Director Amy Stein Milford and Eldridge Street Project founder and preservationist Roberta Brandes Gratz. If you haven't run out to the newsstand just yet, here is a sneak peak of what you'll find inside:
Smith likes that the synagogue already contains five-pointed starts, as well as the six-pointed Star of David. "The five-pointed star is an American invention," she said. "The people who built this were seeking their identity as Eastern European immigrants, but they were also conscious of being in the New World."...She looked up at the glass blocks. "We will make the window a picture of the sky. It will subtly give out energy and liveliness and unpredictability. It will be a rupture."

Here is a roundup of some of the press the new East Window has gotten thus far:

 -Flavorpill: Eldridge Street Landmark Snags Kiki Smith
-NYTimes ArtsBeat: Kiki Smith and Deborah Gans to Design Window for Eldridge Street Synagogue
-The Jewish Daily Forward: New Light for Old Shul
-The L Magazine: Initial Plans for Kiki Smith's Stained Glass Window for the Museum at Eldridge Street Released

Wednesday, January 13, 2010

New Meets Old at Eldridge


What happens when contemporary art and historic architecture combine? Find out at the Museum at Eldridge Street, which has commissioned artist Kiki Smith and architect Deborah Gans to create a new monumental east window for the 1887 Eldridge Street Synagogue. This installation will be completed in Spring 2010. Walking into the grand sanctuary, visitors will get a taste of both 1887 and 2010, Victorian architecture with a modern day interpretation.

Originally, stained glass rose windows at the front and back greeted worshippers at the Eldridge Street Synagogue on opening day. Always unstable, the East Window finally collapsed out of its frame in the late 1930s, leaving the congregation with a gaping hole at the front of the majestic sanctuary. Lacking the funds for a reproduction, the congregation replaced it with a clear tablet-shaped glass-block design in 1944-45, which remains in the wall today.

During the 20-year restoration process, the East Window became a major question: How do we restore an element for which there are no original building plans and no photographs? After an extended decision-making process, we opted for a new commission which would return an inspiring interior and offer a respectful solution to the irreplaceable original.

Smith and Gans’ design, a galaxy of golden stars against an ever-changing blue firmament, recreates in stained-glass the blue and gold star pattern painted on the walls immediately surrounding the new window. According to their statement, “The new stained-glass window will use the features and motifs of the existing synagogue in a new way so that the mind and eye reflects back on the interior space as they are drawn into the space of the window. The wall pattern of five pointed gold stars against a blue sky will be extended across the window.  The ribs of the window will radiate from a Star of David at the center.  In pattern and shape, this window will be similar to the existing ceiling domes of the synagogue and also the trompe-l'oeil windows to either side of the arc. The current technology of flash glass makes it possible to etch the yellow stars into a blue field without any outline or leading so that they will appear as more intense sources of light within the glow of the window.  The translation of the traditional motif of the synagogue with this material and structure will intensify the floating qualities of the synagogue space and surfaces.”

To inaugurate the new East Window and investigate the challenges of restoration, visit the Museum at Eldridge Street every Wednesday at 1 PM for a special preservation tour. Be sure to keep reading for more about our exciting East Window initiative!

New Year, New Tours

Visitors to the Museum currently have the option of going on our standard tour, Landmark of the Spirit, which focuses on the synagogue’s history, the Jewish East Side neighborhood, and the American immigrant experience. They can also explore our surroundings through our menu of walking tours, which range from the thrilling Gangster, Writer, Rabbi to the moving Love & Courtship.

Our building, however, is multifaceted—not just a historical site, but a significant portal into architecture and religious practice. In order to explore these planes and present them to the public, we are in the process of developing two new visitor experiences.

The Architecture Tour will debut in Spring 2010, and will explore the award-winning restoration of our National Historic Landmark. It will draw parallels with other prominent sites in New York City, nationally, and around the world that have faced preservation challenges and responded in innovative ways.

This tour is a collaborative project between the Museum at Eldridge Street and the preservation programs of Columbia University, Pratt Institute and the University of Pennsylvania. Students are researching and writing about aspects of the building and design that will help the public to engage in the building and its architecture.

Questions to be answered include: Does the design reflect the process of Americanization? What choices were made in its restoration? How does it fit into the museum’s preservation ethos? Are there examples at other sites that might be meaningful? Ultimately, we will hear back from the students about preservation projects that use green technology or sustainable practices, sites that provide creative examples of adaptive re-use, using the case study at Eldridge Street, among others.

We’ll be keeping you updated as this project develops further.